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Your favorite songs of Umbanda, Santo Daime, UDV, Icaros etc. Options
 
donfoolio
#1 Posted : 5/5/2020 11:00:37 PM

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What I really like about ceremonies is the musical content, and specially the musical heritage from brazilian and elsewhere ayahuasca-music.

For the sake of curiosity, what are your favorite tunes from religious and otherwise Ayahuasca-music?

Exu:

https://www.youtube.com/watch?v=rDMehr5WFQA

Mestre Irineu, R.I.P.

https://www.youtube.com/watch?v=QnkH6htV6fY

Too many in the Daime tradition:

https://www.youtube.com/watch?v=w2ATyvVbPS8

neo-shamanic:

https://www.youtube.com/watch?v=gsNuE8wXyGA

otherwise:

https://www.youtube.com/watch?v=NIPcCTCslUY

Huini kuin culture:

https://www.youtube.com/watch?v=TwdGaRgSw_0

Icaro:

https://www.youtube.com/watch?v=7Y2Ig1oTQ5Y
Arthur Dee was one of the greatest alchemists of all time, not likely to his dad, I forgot his name, this small James Bond sorcerer working for the queen of a... Hail Arthur!
 

Good quality Syrian rue (Peganum harmala) for an incredible price!
 
Propello
#2 Posted : 5/5/2020 11:58:44 PM

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Ferrum
#3 Posted : 5/26/2020 4:27:52 AM

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My personal favorite https://youtu.be/aqnYOLqgIjA


It's interesting I was just wondering if there was a collection of medicine songs here . Sacred valley tribe has an incredible site with a collective in many different cultural areas from cacti to ayahuasca .

Every time I get stuck in a mushroom medicine work in a negative place Maria Sabrina chants nearly always clear the space . I dont believe it's a placebo effect .
 
Jozeh
#4 Posted : 5/26/2020 8:59:12 AM

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Ferrum wrote:
Every time I get stuck in a mushroom medicine work in a negative place Maria Sabrina chants nearly always clear the space . I dont believe it's a placebo effect .

I totally agree with Ferrum. The music of these rituals is no mistake or lucky blunder.

Quote:
To win their love, to learn to sing to them in
their own language, shamans must first show that they
are strong and faithful and worthy of trust. To do this,
they must go into the monte (the wilderness), away from
other people, and follow la dieta, the restricted diet. After
ingesting and studying their effects, apprentice shamans
await “the appearance of the plant spirit in a vision or
dream to be taught their uses and their songs.”

https://pdfs.semanticsch...649029ff20e7ce4dd9d7.pdf p. 179

PIT p.120-128 wrote:
In many ways these sacred songs, or icaros, are
attempts to recreate the voice and tone of the pharmacological
interaction at various stages of the psychedelic experience. The voice of
the shamanic medicine is not human in the typical sense, the
psychedelic voice is described more in terms of the repetitive bleeping
and blooping of machine code; a biological thrumming; an electronic or
alien pulsation; a guttural river of slurping and squelching sounds; the
great wheeze of a mystical reed organ; the chirping of crickets; the
croaking of frogs; or the fast-clicking communication of an insect
intelligence.
All of these colorful metaphors are the same in that they
perfectly describe a resonant standing wave in the alpha to gamma
range driving amplitude along multisensory perceptual bands. As the
hallucinogenic voice grows in strength, the resonance of the standing
wave then couples with and drives the amplitude of all internal
physiological processes.

By examining the wave properties of ayahuasca icaros, is it possible
to construct an experiential rendering of the synesthetic hallucinogenic
effects. A shaman may make gurgling or retching noises to amplify
modulatory interruption of 5-HT receptors in the gut to drive
purgation. A fast rustling or shushing noise, like a snake rattle or wind
through tree branches, evokes alpha-range relaxation and mental
fluidity, and may also create goose-bumps and a salient sense of
supernatural mystery. A droning drum beat or chant drives theta-band
trance and hypnagogic states. A whistling or high pitched melody drives
beta and gamma coherence, creating sharp multisensory synesthesia of
rising eidetic images. A guttural croaking or a resonant bass line
amplifies the saturated attack and decay of stacking hallucinogenic
frames.
A shaman may employ one or all of these techniques at various
stages of ceremony, and may use them repetitively or cyclically, like a
winding stem that moves through deeper and deeper layers of
hallucinogenic immersion. The shamanic technique of lulling and
evoking mystical hallucination can be compared to the frenetic qualities
of modern trance music, where the goal is to entrain and sustain a high
energy visual state that unfolds and recourses for extended periods of
time.

The wave analysis of both
modern trance music and traditional icaros indicates that these are not
merely forms of artistic expression, but are also formal technologies for
mediating and navigating various levels of stability in chaotic
psychedelic hallucination.

PIT 120-128

I don't have any favourites yet, just edit through some playlist of others matching my time estimation on where I'll be and what I'll need to hear at that point... Or at least attempt to.

I'll be looking forward to the submissions here. Great thread!

A rhetorical question, through fear of hijacking the thread. Which came first the song or the dance?

 
Jagube
#5 Posted : 5/26/2020 12:40:21 PM

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I have hundreds of favorites and am always on the lookout for more.

I like Flávio Passos, one of my recent findings is Farol da Alegria.
As far as Santo Daime, I love Mestre Irineru and Pd. Alfredo. Also some Germano Guilherme.
As far as Umbanda, I'm mostly familiar with the pontos we used to sing in Reino do Sol giras.

Music is where the power of the world is concentrated! Everything else seems bleak compared to this powerful music.

A special treat: https://soundcloud.com/b...eira-de-juramidam-rainha . Crank up your volume!
 
 
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